Broda Harrison: The Visionary Songwriter Behind the Global Gospel Anthem “Don’t Play With Me (God on My Side)”

Introduction

In the dynamic landscape of contemporary gospel music, certain songs transcend cultural and geographical boundaries to become true global movements. One such phenomenon is the explosive anthem “Don’t Play With Me (God on My Side),” a track that has dominated charts, flooded social media feeds, and become a staple in worship gatherings worldwide. While the song’s powerful message and infectious rhythm have captivated millions, a crucial narrative has recently come to the forefront: the recognition of Broda Harrison (Frank Kwaku Harrison) as the original creator, songwriter, and visionary behind this modern gospel classic. This article delves into the origins, impact, and significance of Harrison’s work, offering a comprehensive, SEO-optimized exploration that clarifies authorship, celebrates artistic integrity, and provides valuable insights for both industry professionals and devoted listeners.

As the anthem continues its unprecedented run, understanding the story of its inception is more than a matter of credit—it’s a lesson in the power of personal faith declarations to spark worldwide revival. We will examine the documented timeline, analyze the song’s meteoric rise, discuss the practical implications of songwriter recognition, and address common questions surrounding this pivotal moment in gospel music history. All information presented is based on verifiable reports, official releases, and established industry practices, ensuring accuracy and avoiding speculation.

Key Points

Background

Broda Harrison: The Artist and Executive

Broda Harrison, born Frank Kwaku Harrison, represents a new wave of gospel artists who seamlessly blend deep African cultural roots with contemporary global sounds. Based in the United Arab Emirates, Harrison operates at the intersection of artistry and music business, functioning not only as a performer but also as a respected figure in music publishing, rights coordination, and digital strategy. His career is marked by a commitment to authenticity and emotional depth, with previous releases like “Adom” and “From The Fire” establishing his signature style—melodies that are heard but, more importantly, felt on a spiritual level.

Signed to Trust Music Records / SAP Music Group, Harrison’s work extends beyond the studio. He actively bridges markets across Africa, the Middle East, Europe, and beyond, focusing on expanding opportunities for gospel music in the digital age. This dual role as a creative and an industry executive provides him with a unique perspective on the importance of proper attribution, copyright management, and the long-term legacy of a song—a perspective that underscores the significance of his being recognized as the sole originator of “Don’t Play With Me (God on My Side).”

The Genesis of a Global Anthem: November 5, 2025

The journey of “Don’t Play With Me (God on My Side)” began not in a bustling studio, but in a private moment of conviction. According to a public statement made by Harrison on LinkedIn, the song was born on November 5, 2025. During a period of intense spiritual reflection and personal resilience, he crafted the lyrics and melody as a direct declaration of his own faith—a reminder that with God’s support, no challenge or adversary can dictate one’s destiny.

This initial creation was a raw, personal testimony. The phrase “Don’t play with me—God on my side” emerged as a concise, powerful affirmation of spiritual authority. Harrison shared this early version within his immediate circle, where its compelling energy and clear message resonated deeply. What started as an individual act of worship quickly demonstrated viral potential, organically spreading from private devotions to informal gatherings, and eventually to recorded form. This origin story highlights a critical truth in the music industry: many of the world’s most anthemic songs begin as intimate, authentic expressions before finding a global audience.

Analysis

Musical and Lyrical Composition: A Fusion of Cultures and Conviction

The musical architecture of “Don’t Play With Me (God on My Side)” is a masterful blend of African rhythmic vitality and modern gospel production techniques. The track leverages traditional percussion patterns and call-and-response elements common in African worship music, layered with contemporary synths, driving basslines, and polished vocal arrangements that appeal to a global ear. This fusion is not accidental; it reflects Harrison’s own background and his intentionality in creating a sound that feels both culturally specific and universally accessible.

Lyrically, the song is deceptively simple yet profoundly impactful. Its core hook functions as a declarative statement rather than a supplication. In a genre often characterized by petitions to God, this anthem flips the script: it is a proclamation of the